“Precise dynamic contrasts…”

Thanks to Judith Whitehouse for her highly enjoyable review, below, of our performance of Rossini’s Petite Messe Solennelle, which also appeared in the West Briton. The concert was held in Truro Cathedral on Saturday, 21st March, and we were joined on the day by Truro School Chamber Choir, Truro School Choral Society and Cornwall Youth Choir, who had all rehearsed the piece separately. For our preview, which also appeared in the West Briton, head here.


Paul Comeau at rehearsal

“How do you like to spend your birthday? For Martin Palmer the answer is conducting Truro Choral Society plus two of Truro School’s choirs and the Cornwall Youth Choir — almost 200 voices in all — in Rossini’s Petite Messe Solennelle at Truro Cathedral.

“But first, he was given a present — the composer/pianist Paul Comeau, inspired by the coincidence of Palmer and JS Bach sharing a birthday (Bach’s 330th), produced a set of variations for piano and organ on Happy Birthday, played by himself and Cathedral Organ Scholar James Orford. I’m pretty sure it started with The Pink Panther, proceeding via I Do Like to Be Beside the Seaside and similar classics, culminating in a pastiche of Tchaikovsky. I thought I’d written them all down, but have mislaid my Chopin Liszt! Needless to say, great fun was had by all.

“You don’t expect fun in a solemn mass, but Rossini had other ideas — from the decidedly jaunty introduction on piano and organ (the Cathedral Father Willis impersonating the specified harmonium) the massed voices entered into the spirit of the work with precise dynamic contrasts and splendid intonation in the unaccompanied passages. The overtly operatic mood of the Gloria introduced the soloists — soprano Cheryl Rosevear and mezzo Rebecca Smith blending ravishingly in their duet, bass Mark Williams powerful and dramatic, and tenor Anthony Mee in full ‘divo’ mode in Domine Deus, with irresistible Tiptoe Through the Tulips accompaniment from Comeau.

“Palmer’s direction made the most of Rossini’s idiosyncratic blend of genial exuberance and underlying devotional commitment, and the singing remained fresh, even in the excessively protracted Amens — 24 pages of them! The chorus also blended well with the soloists — the Sanctus and Agnus Dei fittingly displaying a more serious mood. Splendid accompaniment throughout, even though Comeau and Orford couldn’t even see each other, adding to the mix of dignity and daftness that Rossini obviously intended — if only he’d cut some of those Amens!”
Thanks also to Sarah Griffiths Photography for these photographs. To see the whole album, visit our Facebook page.

James Orford

James Orford

Mark Williams

Mark Williams

Anthony Mee, tenor

Anthony Mee

Cheryl Rosevear, soprano, and Rebecca Smith, mezzo

Cheryl Rosevear and Rebecca Smith




Christmas celebrations

IMG_7097After the hugely enjoyable performance of the Coronation Mass, Music Director Martin Palmer moved swiftly on to focus the choir on preparing the Christmas programme for the December concerts to be held at St Piran’s RC Church, Truro, and Eden Project. Along with a beautiful selection of carols, including the Sans Day and Coventry Carol, and a couple of our favourite movements from the Messiah, Palmer also picked the Spirituals by Tippett. A collection of eight-part works, the Spirituals required careful rehearsal and members were very pleased to be able to give a worthy performance of them on 19th December at St Piran’s. Accompanying us were Truro Symphony Orchestra and four impressive young soloists: James Orford, the current TCS accompanist and Truro Cathedral organ scholar; Paul-Ethan Bright and Charlie Murray, who are both members of Truro Cathedral Choir and have performed as soloists with TCS in the past; and Eleanor Sullivan, who not only delighted with her beautiful soprano voice but also gave an exquisite recital of Mozart’s Oboe Concerto.

10888436_840571965985494_901391932721206232_nAnother big part of the evening was our decision to be part of CLIC Sargent’s Cornish Christmas Countdown, and a collection was held during the interval and at the end, raising the fantastic amount of £650. CLIC Sargent provide clinical, practical and emotional support to children and young people who have been diagnosed with cancer. Thanks to their work, Cornish families have access to free self-catering accommodation at the charity’s Home from Homes in Bristol, allowing them both to stay close to their child receiving treatment and to stay together as a family. The charity also provides funds for two specialist CLIC Sargent nurses and three social workers across the county to support those affected by cancer at home; in 2013, they were able to help 74 Cornish families. For further information on the charity’s work and how to donate, visit www.clicsargent.org.uk.

The morning after the concert, a smaller version of the choir, the orchestra members and the soloists headed to Eden Project to do almost exactly the same thing all over again, in the relaxed and beautiful setting of the Citrus Grove in the Mediterranean Biome. Listeners perched on low, whitewashed walls by nascent vines or knelt on rugs nearby, and birds once again joined in with the performance – “It was wonderful to hear the music and voices rising up round the biome,” a visitor told us afterwards.

Returning after the Christmas break, we welcomed a representative from CLIC Sargent to our first rehearsal, where we were all delighted to be able to hand over a cheque for the £650 that had been raised on 19th December. And the West Briton and EnjoyTruro.co.uk kindly recorded the handover.

A perfect way to wrap up 2014.

CLIC Sargent Photo 2 original

CLIC Sargent volunteer representative Katie Wild receiving the cheque for £650 from TCS

Drayton, Mozart and Pascoe

After our cathedral concert on Saturday, 15th November 2014 – a mixed programme of works by Mozart and the Cornish composers Paul Drayton and Russell Pascoe – we were delighted to have a condensed version of Judith Whitehouse’s review included in the West Briton’s What’s On pages. For the full version, read on below:

Frances Eagar

Frances Eagar

“I can hardly believe two years have passed since Truro Choral Society celebrated its 50th birthday in 2012 with commissioned works from our great local composers Paul Drayton and Russell Pascoe. Drayton’s Orpheus made a rousing start to this concert with its atmospheric fanfares, and displayed the composer’s and performers’ dexterity in combining the two main themes.

“Now that Truro Cathedral has a decent concert grand piano, it will be a pleasure to hear some of the great works of the concerto repertoire. Remembering Frances Eagar’s marvellous Beethoven 3 at Newquay, it was no surprise that her interpretation of Mozart’s D minor concerto, with its pre-echoes of Beethoven (including his monumental first movement cadenza), was full of rhythmic drama, making the most of the darker side of the opening, contrasting the serenity of the slow movement while avoiding excessive sweetness, and giving real dynamic passion to the finale. The orchestra, directed by Martin Palmer, were a perfect foil to the soloist, with some particularly gracious wind playing to lighten the mood towards the end.

“If the Mozart concerto hinted at Beethoven, there was more than a hint of opera in his Coronation Mass – a touch of Cosi in the solo passages of the Kyrie to contrast with the solemnity of the chorus made a fine start, followed by a powerful Gloria and evangelic Credo, jubilant Osanna and ravishing Benedictus – the young team of soloists, the soprano Saffron Jones, countertenor Paul-Ethan Bright, tenor Gianluca Paganelli and bass Charlie Murray, blending well. And it was briefly back to the opera house for the Agnus Dei, cheekily ‘borrowed’ from Figaro and sensuously delivered by Jones, with the chorus reprising the opening at double speed with a real sense of joy. Those of us who attend cathedral services are familiar with this setting used liturgically – it’s a great pleasure to hear it in all its dimensions and in such an idiomatic performance.

“And for the finale – what more appropriate than Pascoe’s Music!? I remembered to listen for the tambourine and triangle this time, and there they were – to repeat what I said at its premiere, the combination of simple lyrics and authentically rollicking performance is irresistible. Another splendid evening from Palmer and Truro Choral Society – and some particularly exciting ones to come next year.”

Russell Pascoe and Paul Drayton

Russell Pascoe and Paul Drayton

Saffron Jones and Paul-Ethan Bright

Saffron Jones and Paul-Ethan Bright

Gianluca Paganelli and Charlie Murray

Gianluca Paganelli and Charlie Murray

Meet our new accompanist

IMG_6728For the past couple of years, we have been lucky enough to have as our accompanist the current organ scholar at Truro Cathedral, a position that is recruited annually. Having given the most recent incumbent, James Orford, a couple of weeks to settle in, we caught up with him to talk music making, moving to Cornwall and Mozart.

At only 18, James already has a selection of letters after his name (DipABRSM ARCO) and an impressive resumé. Ready…? Before he arrived in Truro he was organ scholar at Dulwich College for four years, as well as assistant organist at St Mark’s Church, Bromley, positions that have taken him – both as organist and singer – to many cathedrals around the UK and Ireland, including Salisbury, Hereford, St Paul’s and Westminster. He has also performed twice at the Royal Festival Hall: once as part of the London Organ Day in February 2013 and then, a month later, as the organist in a joint-schools performance of Mahler’s 8th Symphony. An accomplished tenor, too, he last year toured with Dulwich College Chapel Choir around key sites in and around Paris, including the Eglise de la Trinité, the American Cathedral and Chartres Cathedral, and within weeks of arriving in Truro was stepping in to perform with the cathedral choir when they have ended up a man down.

Life seems good at his new digs right by Truro Cathedral. He has an enviably easy commute to work, which also means he can practise into the early hours if he so wishes – and of course he does wish, even sheepishly admitting that he probably is too hard on himself sometimes. However, the combination of immersing himself within cathedral life and the odd surfing foray to Porthtowan and Perranporth at least means that he hasn’t had the chance to miss home yet or the hustle and bustle of London.

Within the few weeks James has been rehearsing with Truro Choral Society, he has hugely impressed the singers and our Music Director with his agility at the keyboard and his knowledge, so it wasn’t surprising to hear that he first chose to sit down at a piano as soon as he could walk to the stool. His move to the organ didn’t come until the ripe old age of 11, although his fascination with the instrument started much earlier: he remembers sitting in his pushchair in front of the one at his local church in Bromley and being entranced by the noise that was coming out around him, the three huge keyboards and all the pedals. It was the beginning of a love that would lead to him receiving his ARCO Diploma last summer, achieving high marks in his performance exam, and we imagine, much more in the future – applications to study at the Royal Academy and the Royal College of Music next year have already gone out [Update: he has been awarded a scholarship to the Royal Academy of Music!].

James has previously held accompanist positions with four ensembles, including Lewisham Choral Society and Ashtead Singers, so it’s easy to understand how he seemed so comfortable straightaway with a large choir such as ours. He has enjoyed our friendly welcome and the pleasant atmosphere at our rehearsals, and is looking forward to our forthcoming programme for 2014/15, commenting that he is “in love with the Spirituals” that we have planned for our Christmas concerts. His eyes also light up when he mentions his “musical god”, Bach, but when the subject of Mozart comes up he hesitates… “I feel he didn’t always live up to the immense potential that he had, potential that is evident in pieces such as the Coronation Mass and others – C Minor Mass, Jupiter Symphony… I have reservations that he may just have sometimes been churning pieces out because he had to.”

We look forward to hearing more from James over the next year and imagine we’ll be hearing a lot more about him after his time spent in Truro.

Messing about on the water

After a jam-packed season that saw us give six separate performances – at venues including the new Sir Ben Ainslie Sport Centre at Truro School, Eden Project and of course Truro Cathedral – Truro Choral Society members and guests headed to the water on 17th June for the choir’s summer party. Accompanied by herons and a beautiful sunset, we headed up the Fal to the Carrick Roads and back, enjoying drinks and pasties as we went. Many thanks go to our tireless social secretary Dee for organising the evening, as well as for making sure we are always able to have refreshments during our rehearsal breaks throughout each term. Rehearsals for Season 2014/15 start again on 9th September – come and join us, either as singer or audience member, for another superb selection of music. Now, did somebody mention A Sea Symphony…?

Mass enjoyment of Verdi

On Saturday, 7th June 2104, almost exactly 140 years after its first ever performance, Truro Choral Society sang Giuseppe Verdi’s spectacular Requiem in Truro Cathedral. Originally conceived by Verdi to be a joint tribute by all the leading composers in Italy to Rossini after his death in 1868, the work didn’t see completion – by Verdi only – until 1873, following the death of the Italian poet and novelist Manzoni. Its premier was held in Milan on May 22, 1874. With its soaring melodies, dazzling orchestration and moments of mesmerising intensity, this spine-tingling masterpiece contains every ingredient necessary – passion, drama and redemption – for a thrilling evening of music.

It’s an extremely popular piece with singer and audience alike and many, including the celebrated Cornish composer and TCS friend Russell Pascoe, feel it should be performed as often as Handel’s Messiah. Brahms himself described it as a “work of genius”. For its 2014 Truro performance, under the inexorably deft music direction of Martin Palmer, the 160-strong choir and Truro Symphony Orchestra – which included four off-stage trumpeters up in the gallery – first enjoyed a relaxed and uplifting rehearsal during the afternoon. Joining in on the act, and with timing as perfect as the chorus and musicians themselves, was the sun, which streamed through the cathedral’s higher stained-glass windows during Et Lux Perpetua, bathing Choir 2 in a beautiful light. It augured well.

And indeed the performance before a packed cathedral was exhilarating for all involved and extremely well received. There was even cheering. Our mezzo-soprano soloist said, “The orchestra are so musically sympathetic – very, VERY rare – and the chorus were absolutely fabulous.” A few days later, the music critic Eric Dare, while talking to our chair Susanne in passing, praised the choir’s unaccompanied singing as being “completely in tune and together, finely balanced – an almost-impossible feat with so many voices involved”.

Special thanks go to our wonderful, hugely experienced soloists – Susanna Spicer, mezzo; Mark Chaundy, tenor; and Adam Marsden, bass – who exponentially enhanced the experience from the moment they stepped up on to their dais in the afternoon. We were especially grateful to Cheryl Enever who stepped in as soprano only days before concert day, after Claire Seaton sadly had to pull out due to family circumstances. Cheryl said afterwards that she was happy to have been able to do so as she would never tire of singing this work. She also confided, “I’ve never sung with a choir who performed better than this evening. It was so good.”

Thanks also to the classical musician and writer Jake Barlow for his in-depth review of the concert:

“Truro Cathedral is a top-notch place for putting on a concert, and when I found out that Verdi’s religious masterpiece would be making an appearance in that beautifully vaulted nave, it would have been foolish not to go.

“The celli opened the proceedings beautifully, setting the scene with solemn and broad strokes. The choir’s following entry was clear and rhythmically crisp, and they came into their own during the ‘te decet hymnus’ passage – the flowing Renaissance-inspired counterpoint flowed and was musically sensitive. The first appearance of the soloists was strong, but it was the entry of the Soprano and Mezzo that really stood out – beautiful, effortless singing that was an absolute delight for the ears. The first time that all of the musical forces came together, the balance of the sound was very good. It must be said that the musical balance was brilliant throughout, with no musical force needing to fight for dominance, making for a very enjoyable listening experience.

“The opening of the Dies Irae, perhaps the most famous in the classical repertoire next to that of Mozart in his own setting of the Requiem Mass (given how Verdi went about preparing to compose his score, it’s easy to see where some of his fire came from!), was violent, furious, and passionate – fantastic! Not only that, but whenever the entry material came back, it gained more life and energy, avoiding completely the danger of deflating. Among the other highlights of the Dies Irae section (one of the longest, as Verdi splits it into 10 movements) were the brass fanfare, which was sonorous yet balanced, and the Liber Scriptus, a solo movement for the Mezzo and orchestra with choral accompaniment. Mezzo soprano Susanna Spicer’s performance was nothing short of world class, and reminded me why that is one of my favourite oratorio movements both to sing and listen to.

“Throughout the rest of the work, the choir sang with energy, emotion and a high level of sophistication and musical sensitivity, supported throughout by a very strong orchestra. Conductor Martin Palmer was multi-faceted in his approach – minimalistic, allowing the music to breathe and speak for itself, as well as being active and driven enough to spur the choir and orchestra on to a brilliant performance. All of those involved should be very proud, and I look forward to the next concert.”

Read Jake’s blog and other music reviews here.

Photographs of the day

When Cornish choirs combine

On March 29th, Truro Choral Society and Three Spires Singers came together to perform Elgar’s almighty Kingdom in Truro Cathedral. It had been a huge undertaking and the organisation and preparation was shared equally between the two choirs’ committees and Music Directors, and the choir members enjoyed rehearsing together enormously. Christopher Gray, MD of Three Spires – who originally envisioned the project – said, “Though not as often heard as The Dream of Gerontius, The Kingdom is considered by some of the great Elgar conductors, Sir Adrian Boult among them, to be equal in quality if not superior.” In fact, The Kingdom already has a far-reaching history at Truro Cathedral: Martin Hall, a former MD of both choirs, conducted TCS singing it in 1984; we are told this was the first performance of this great work since Boult himself first conducted it there in 1974. In addition to the impressive combined orchestra we were joined by stellar soloists (see below), whose incredible voices reached every nook of the cathedral’s ceiling. All choir members were elated after the experience – and happily, the audience members, which included Radio 3 presenter Petroc Trelawny, seemed to be, too.

Read Judith Whitehouse’s five-star review in the West Briton here.

Read our Kingdom preview in full.

Read more about the Elgar seminar we held in preparation for our concert here and here.

Our Kingdom soloists

Tessa Spong Soprano

Tessa Spong

Louise Mott Mezzo-soprano

Louise Mott

David Stout Bass

David Stout

David Butt Phillip Tenor

David Butt Philip

Pictures of the Saturday-afternoon rehearsal before the concert

Screen Shot 2014-04-05 at 13.21.52
Screen Shot 2014-04-05 at 13.21.40
Screen Shot 2014-04-05 at 13.22.05
Screen Shot 2014-04-05 at 13.22.19


With thanks to Camilla Comeau of Three Spires Singers for this happy image

With thanks to Camilla Comeau of Three Spires Singers for this happy image

Successful seminar

Not even the wild squalls battering Cornwall could put off Elgar lovers on Saturday, 8th February. More than 130 people put their hoods up and windscreen wipers on and headed to Truro School Chapel to attend the Kingdom seminar and singing workshop that had been organised jointly by Truro Choral Society and Three Spires Singers. “I enjoyed it and learned a lot,” said one audience member who had travelled some way across the county to get there. Huge thanks go to the engaging speakers, the excellent soloists and of course the organisers and their helpers from both choirs for making it such a success – and also to everyone who brought cake and other treats. In all, an extremely enjoyable event.

Elgar expert Nick Hawker enlightens the 130-strong audience on the composer's process

Elgar expert Nick Hawker enlightens the 130-strong audience on the composer’s process

Michael Swift shares his vast knowledge of music of Elgar's era

Michael Swift shares his vast knowledge of the music of Elgar’s era

Both speakers take questions at the end

Both speakers take questions at the end

Who’s who at The Kingdom seminar

In anticipation of our forthcoming seminar on Elgar’s The Kingdom – organised with Three Spires Singers and to be held Saturday, February 8th, 9.15am-1pm, at Truro School Chapel – we include here some information on the day’s programme and protagonists. It’s an event designed to enhance enjoyment of our joint concert of the oratorio for choir and audience members alike. All are welcome to attend, but places are limited…


Martin Palmer

Martin PalmerMartin has been Director of Music of Truro Choral Society since 2009. He studied the organ, cello, composition and conducting at the Royal Academy of Music and took the University of London degree. While at the RAM he sang with the London Philharmonic Choir, gaining invaluable experience working alongside many of the world’s top conductors, orchestras and soloists. He is also the Director of Music at Truro School, where he has built up one of the biggest and busiest music departments in the southwest.

He will lead the singing of some illustrative excerpts from The Apostles and The Kingdom.

Nicholas Hawker

Nicholas Hawker

Nicholas began his musical education as a chorister at St Alphege, Solihull. He later read music at Birmingham University, eventually winning a postgraduate scholarship to complete an MPhil thesis on the music of Edward Elgar. Since then he has edited manuscripts that have now been published by The Elgar Society. In 2003 Nicholas moved to Truro to take up a choral scholarship with Truro Cathedral Choir, with which he has toured throughout Europe, made numerous recordings on the Regent and Lammas record labels and appeared as a soloist on BBC radio and television.

He is now in demand as a soloist throughout the southwest, where recent concert appearances have included, amongst others, Mozart Requiem, Handel Messiah, Judas Maccabeus, Samson, Dixit Dominus, Durufle Requiem, Schubert Mass in E Flat, Bach Magnificat, St John Passion (Evangelist and arias), Monteverdi Vespers, Stainer Crucifixion, Haydn Paukenmesse, Beethoven Mass in C, Britten St Nicolas and David Briggs A Cornish Cantata. Recent song cycle performances include Schumann Dicterliebe and Britten Winter Words. Among his forthcoming engagements in early 2014 are Bach St Matthew Passion (Evangelist) and Vaughan Williams On Wenlock Edge.

In opera Nicholas has appeared with Birmingham Festival Opera in Shostakovich Moskva Cheremushki and with Duchy Opera in Puccini Madame Butterfly, Mozart The Magic Flute and the premiere of Paul Drayton’s The Hanging Oak. He currently studies with Annabella Waite. Nicholas is Deputy Head and Director of Music at Polwhele House School, the choir school for Truro Cathedral.

Nicholas’s talk will explore Elgar’s long-held ambition to write a work based on the New Testament and study the extent to which this was fulfilled in his oratorios The Apostles and The Kingdom. Using information from manuscripts housed at the British Library it will track Elgar’s compositional process and consider how, had the original plan for The Apostles been realised, The Kingdom may never have been composed. It will also examine the strong thematic links between the two works, consider Elgar’s use of leitmotif and reveal his use of plainsong chant.

Michael Swift

Michael Swift

Besides his day job as Stained Glass Adviser to the Diocese of Truro and Truro Cathedral, Michael has been much in demand as a lecturer throughout the southwest for over 10 years. He has been running a series of highly popular adult-education courses in Truro for the past six years on Victorian and Edwardian culture. These courses have included a strong musical component, along with reference to the literature, art and architecture of the period. He has completed postgraduate research on Victorian composers and music festivals, and is passionate about English composers of this period. He sang in choirs for over three decades.

Michael will explore the place of The Apostles and The Kingdom in Edwardian choral music. It will set the works within the context of the tradition of English Victorian and Edwardian Triennial music festivals. In comparison with selected choral works by other contemporary composers, it will suggest that, in its form and content, The Kingdom marked a glorious end to that tradition.

For downloadable versions of the application form and information leaflet for this event, please follow the below links:
Application form
Kingdom Seminar Leaflet Feb14

Helping Cornwall’s Hospices

Last December, Truro Choral Society joined forces with St Keverne Band once again to perform a Christmas concert at Falmouth Methodist Church in aid of Cornwall Hospice Care. The choir’s programme included traditional carols, as well as a performance of Vaughan Williams’s Fantasia on Christmas Carols, conducted by Martin Palmer. Along with the band’s highly entertaining choice of music, including a technically dazzling delivery of Vitae Aeternum for their finale, the concert was an excellent start to Christmas festivities – and more importantly raised the incredible amount of £1,616 for a very worthy cause.

The work of Cornwall Hospice Care is devoted to providing clinical care and support to people living with life-limiting illnesses in Cornwall. The help their hospices provide is free, but their running costs tally up to £14 a minute, and with government funding only covering 15% of these costs, every penny raised during events like these is very gratefully received and immediately put to extremely good use. For more information on this charity’s work, visit www.cornwallhospicecare.co.uk.

St Keverne Band have long had links with this fundraiser and we were delighted to have been invited to take part again. Under the musical direction of Gareth Churcher, the band’s repertoire and reputation continue to grow, seeing them regularly winning awards both regionally and nationally. Last October they came first in their section of the Cornwall Brass Band Association Championships, and we wish them continued success in their forthcoming competitions in 2014.